绝命毒师第五季
Danish Economy Threatened by 'Vicious Spiral', National Bank Governor Warns_我的网站
A | Danish National Bank Governor Lars Rohde has stated that the Nordic country's economy is threatened by a “vicious spiral” due to “dangerous cocktail” of rising prices on staples from bread to petrol and electricity, as well as higher wages.,According to Rohde, it is necessary for the nation to tighten fiscal policy. Unless the parliament puts a damper on the economy, it is bound to get worse, he said. Rohde estimated that total demand must be slashed by around 1 percent of the GDP.,“If demand is not limited, there is an imminent danger that we will get what we fear most: a wage and price spiral”, Rohde said, as quoted by TV2.,Rising prices lead to higher wages, which, in turn, spurs even higher prices and thus even more inflation.,According to Rohde, the sooner the tightening of the fiscal policy is announced, the better. This, he ventured, would put the pressure off the labor market.,If high inflation and rising wages come to stay, the Danish economy could face a severe economic downturn, he warned.,“It will have a very negative effect if inflation and wage growth rates remain high. But the period when you want to knock inflation down again – once it has taken hold – is painful and will probably be associated with a sharp recession”, Lars Rohde concluded.,According to Statistics Denmark, consumer prices in May were 7.4 percent higher than they were a year previously, which is the highest 12-month inflation recorded in nearly four decades, since 1983.,Inflation in Sweden Hits Highest Rate in Over 30 Years16 June, 05:32 GMT,Denmark's Nordic peers have landed in similar situations and are also witnessing levels of inflation unseen in decades. Swedish Finance Minister Damberg warned that tough times are ahead for the Swedish economy, with growth expected to slow down in the second half of the year, due to high inflation and rising interest rates.。
B |
There, they play martial arts heroes and folk characters for live audiences, finding steadier income and real-time connection with viewers.
"Earning a living with your own hands is nothing to be ashamed of," actress Luo Xinyuan told the Global Times, even as many still hold out hope, waiting for good scripts.
The migration reflects a stark reality. In the first quarter of 2026, AI micro-dramas accounted for more than 95 percent of all micro-dramas released industry-wide, sharply squeezing the space for live-action productions.
By July, pay for leading actors had shrunk by over 50 percent, mid-tier actors by more than 80 percent on average, and daily wages for bottom-rung extras had fallen into double digits, China's CCTV reported.
Luo, a 21-year-old actress, experienced the downturn firsthand. She came to Hengdian, China's largest film and television production base, to shoot short dramas. "When I first arrived, there were many crews preparing in one hotel. Now sometimes there are only one or two, or none," she told the Global Times.
This May, she began playing the role of Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Her daily routine includes interactive stage competitions, parades and live audience interactions, working nearly 13 hours daily during the peak summer season.
"It's tiring but fulfilling," Luo said. "There are no scripts here. It's more about playing with visitors face to face." The change has eased her anxiety. "When I was filming, I kept worrying about the next job. Now I feel more stable."
Yin Jiaxuan, 25, took a different route. He started his career as a professional character performer at major theme parks, starring in immersive shows based on popular game and film IPs before transitioning to short dramas and online movies in mid-2024.
At the industry's peak, he moved seamlessly between sets.
"One crew wrapped, and the next was already arranged. I'd go straight to makeup the next day and start filming the day after," he said. Now he keeps both identities, taking film roles when they come and returning to scenic spots during holidays.
Yin rejects the stigma that screen acting is the only proper path.
"Screen acting is seen as the professional main road, while street-level performance is treated as amateur work. This invisible prejudice has trapped many performers," he said. Yet the tangible stage offers something the camera cannot.
"Performance comes from life and is higher than life - that is the core of film creation. But now I realize that beyond artistic expression, performance is about building human connections."
Both actors shared that theme park characters must do more than act; they must draw tourists into the scene, delivering emotional value on demand. Visitors come to the scenic spot not just to sightsee, but "to step into a fantasy."
Every extra 30 minutes of stay raises the probability of secondary consumption by about 25 percent, according to local data. Revenue jumped from about 80 million yuan ($11.86 million) in 2022 to 1.27 billion yuan in 2025.
While Hengdian World Studios has used characters to boost repeat visits, with annual pass holders returning multiple times "for a specific character."
Cultural scholar Yu Jinlong told the Global Times that the influx of trained actors is upgrading immersive tourism.
"In the past, theme park characters were mostly amateurs doing costume photos. Now professional actors can build complete characters, improvise and connect storylines, turning scenic spots into open-air theaters," he said.
Yu pointed out the uniqueness of China's character boom compared with global immersive entertainment.
"Unlike Western theme parks that rely heavily on mature imported IPs and standardized performances, China's scenic character culture is rooted in local wuxia (martial hero) history and folk customs, encouraging personalized improvisation. Many local scenic spots create hit immersive projects with small investments, forming a unique online-offline communication loop via social media," Yu said.
As China's cultural consumption shifts from sightseeing to participation, Yu said the young actors swapping short drama sets for scenic spots may be shaping a new hybrid career for the country's entertainment workforce.
For Luo, the recognition from visitors is a reward in itself.
"There are tourists who travel from far away just to see my performance. It feels good to be recognized," she said. "Actually, I'm still exploring too. But I think you should do what you love, as long as you have the ability."
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